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(Spoiler alert: Do not read on unless you’ve watched “Black Mirror” Season 4 episode “Crocodile.”) “Black Mirror” wouldn’t be “Black Mirror” if it wasn’t trying to mess with viewers in basically every episode. But the mindf— they snuck into a new episode is on a whole different level, as it was specifically aimed at Reddit users who love to theorize about the show. The fourth season of Charlie Brooker’s twisted, technology-obsessed anthology series dropped on Netflix on Friday, and fans have been picking apart every single moment on social media since.
While have already been discovered and dissected, one that a Reddit user noticed in the episode “Crocodile” knocked viewers over with its meta-filled intensity. The episode centers around Mia (Andrea Riseborough) who helped her friend Rob (Andrew Gower) cover up a hit-and-run death. In a scene where Rob comes to his old pal 15 years later, begging for her to let him confess, he hands her an article about the man they killed.
Also Read: Reddit user, who was clearly paying very close attention, took a screenshot of the paper Rob was holding. Oh, because if you looked very closely, it said this: “Of course the real question is why anyone would pause what they’re watching just to read a sentence in a printed out newspaper article’, says a voice in your head – before advising you to go and share this finding on Reddit.” Naturally, commenters started freaking out about the hidden message, accusing Brooker — who has previously held an AMA (Ask Me Anything) on Reddit with — of screwing with them.
Year: 2001 Ekin Cheng Director: Cast:, Wong Bun-Yuen, Tam Wai-Ho The Skinny: Competent and entertaining triad drama that never rises above its genre because of the routine handling from director Jingle Ma. This is a decent outing with an effective central performance by Ekin Cheng, but it's ultimately only slightly above average.
Review by Kozo: Ekin Cheng makes his bid for Andy Lau-like status with this ambitious triad movie that's interesting but questionably staged. Director Jingle Ma does a credible job with the actors, but his storytelling choices leave a little to be desired. Cheng plays Dragon, an ex-convict who works at the Kowloon Cafe after his release from prison. He spends his days with ex-triad pal Lam Suet while making small change as a busboy. However, Dragon isn't just your standard ex-con ex-triad.
No, he's a legendary ex-triad who was famed for his ability to kick ass like you wouldn't believe. Though he wants nothing from that world anymore, he can't exactly escape it. That's because 'every time he tries go get out, they pull him back in.'
The triad-lobby has numerous people attempting to hook Dragon back in. Chief among them is ex-girlfriend Helen (ably played by Karen Mok), who still remembers the passionate nights spent in Dragon's triad embrace. She's now a ranking triad officer, and though he says he wants no part of her life, she just won't give up.
Also, various triads (including Chapman To and Jackie Lui) show up and treat Dragon like a ranking triad official - even though he insists he's just a waiter. Dragon has another reason to stay straight: he discovers he has a six year-old son who's never known his father. Also, his son's teacher Miss Mon (new idol singer Rain Li) shows up now and again to lend Dragon some moral (and possible romantic) support. Yep, everything's just great for Dragon. That is, until he get dragged back into the triads. Ekin Cheng does a credible job with the role of Dragon, but that may be because Dragon seems like an older Chan Ho-Nam than anything else. At the very least, he demonstrates a better emotional range than he previously has, and seeing him play a father is surprisingly effective. This is a good movie for him, and hopefully a sign that he can graduate to better roles.
If anything brings the film down, it's not Cheng, it's director Jingle Ma and his overwritten script. The story of Dragon is a decent one with all the primary traits of the triad genre, but too often it verbalizes what it shouldn't. It's like the filmmakers think the audience won't get it, so just in case they have a character explain what's going on. Also, Ma's use of style is sometimes inappropriate. He's a competent director, but his films carry little weight because any and all style serves no narrative purpose. It's just there to make things look flashier.
That may work for Hot War or Tokyo Raiders, but Goodbye Mr. Cool tries to tell a meaningful story. It succeeds partway, but only because the situations and actors help us along. Ma's inexperience with subtext and the unspoken only makes things less affecting than they could be. (Kozo 2001) Note: The Mei Ah DVD possesses excellent picture and sound quality, but unfortunately it's a DVD-10 that requires flipping halfway through the film to complete the picture. Didn't Laserdisc die for expressly that reason? Availability: DVD (Hong Kong) Region 0 NTSC Mei Ah Laser Widescreen Cantonese and Mandarin Language Tracks Dolby Digital 5.1 / DTS Removable English and Chinese subtitles image courtesy of Mei Ah Laser Disc Co., Ltd.